When Will Mamma Mia Here We Go Again Be on Demand
- INSIDER spoke to "Mamma Mia: Here We Get Again" manager Ol Parker near the complicated "Dancing Queen" scene, which involved 14 boats.
- Parker said that Colin Firth and Stellan Skarsgård aren't good dancers, so they inverse their choreography for the gunkhole scene the night before shooting.
- Parker likewise confirmed why Meryl Streep's graphic symbol Donna was killed off for the sequel, and why the picture doesn't clarify how she died.
- "Mamma Mia: Here We Become Again" is available on digital, DVD, Blu-ray, and On Need now.
Ol Parker, the manager of "Mamma Mia: Here Nosotros Become Once again," fabricated the nigh delightful movie of the summer that audiences and critics loved.
INSIDER spoke to Parker leading up to this week'due south DVD, Blu-Ray, and On Demand release virtually the circuitous "Dancing Queen" sequence that involved xiv boats, and the decision to impale off the main grapheme.
"Here We Go Again" tells two stories from two different time periods. In the nowadays, Donna, played past Meryl Streep in the original 2008 "Mamma Mia," has passed away. Her daughter Sophie (Amanda Seyfried) is running a hotel from the Greek Island where they lived together. The other story, fix thirty years earlier, shows how Donna (played by Lily James) met Sophie'south iii "dads," ultimately leading to Donna settling in Greece, pregnant with Sophie.
Late in the film, Cher, who plays Donna'south mother and Sophie'southward grandmother, shows up on the island and sings the iconic ABBA vocal "Fernando" with Andy Garcia, a moment that made audiences everywhere scream with excitement.
Parker as well told INSIDER how Meryl Streep's interest in doing the sequel with her character dead got the rest of the original cast to practice the movie. And some of them said yeah without even reading the script.
This interview has been edited and condensed for clarity.
Carrie Wittmer: Could you walk me through the process of making a sequel ten years later?
Ol Parker: At that place was always a massive desire for a sequel. The studio couldn't take wanted it more given how much money the original fabricated. But immediately, there was just a struggle. Not every story needs another affiliate. So they couldn't actually notice a proper version that really made dramatic sense. And all of the cast, Meryl in particular — none of them wanted to do it. They were all very proud of the commencement one and what it had accomplished and how it had made people feel. And so they didn't just desire to show up. Meryl was never going to do that.
Wittmer: Interesting. How did you become involved?
Parker: Because they were desperate and I was cheap, I think. And I suggested that Meryl'due south character be dead in it, and that we make the picture at to the lowest degree in part nigh getting over the loss of her.
Wittmer: Did Donna existence dead make Meryl a fiddling more into the thought of a sequel?
Parker: We talked to her about information technology, and she was delighted. The news that Meryl was in was brilliant to the rest of the cast and brilliant for me, obviously, considering they all committed direct away. Some of them without reading the script.
Wittmer: In the movie you don't reveal how Meryl's graphic symbol Donna died. Do you know how?
Parker: Yeah. And we included the crusade in various different drafts. It'due south just if you use the word "cancer," it kind of becomes the whole scene. I talked with Amanda [Seyfreid] and Pierce [Brosnan] well-nigh how information technology had gone and how long it had taken for Donna to die, and we all felt that the characters had time to get used to information technology while information technology was happening. Information technology wasn't sudden, it wasn't a drowning or something. So, something boring.
Wittmer: One thing I love about "Here We Become Again" is the employ of some of ABBA's less popular songs, like "Andante, Andante" and "One of Us."
Parker: I basically did the picture to please my mum.
Wittmer: Was it hard to option what songs to use?
Parker: I mean, you can't practise it without "Dancing Queen," and obviously the pic is chosen "Mama Mia." But when I commencement went to Stockholm to met Benny Andersson and Bjorn Ulvaeus [of ABBA], they said, "We would love for the songs to serve the plot and drive the plot." So I merely thought if I just chose the best song for the drama rather than the most well-known song and so that would be great. "I've Been Waiting For Yous" is very little known, only I but thought it was absolutely beautiful and I had the idea of Amanda singing information technology while Lily gives birth. And Bjorn rewrote the lyrics very generously to make information technology more connected to what you lot're watching, which he also did at the terminate with "My Beloved, My Life."
Wittmer: I didn't even notice the lyrics were rewritten. How did you incorporate "Fernando?"
Parker: I just wanted the vocal. I mean, Andy [Garcia], his character Fernando was invented then that Cher could turn to him and sing, "Fernando." He was invented in reverse for that moment. Then unlike songs for dissimilar things. But in full general, the idea was to try and make them drive the narrative a bit more like a musical than a jukebox musical.
Wittmer: There's a lot of complicated choreography in these musical sequences. I'm thinking specifically of "Dancing Queen," which involves many, many boats. What was it like to picture show that?
Parker: I was absolutely delighted, but horrified to exist offered the chore ii months after I'd handed in the script. Considering it suddenly became my trouble, having merrily written, "Aye, 14 boats, it'due south gonna be bang-up! Fabled!" So I observe myself in a helicopter looking at 14 boats thinking, "Okay." Merely yeah, information technology was complicated. My main style of directing is to rent really good people and so go out of the way and let them be brilliant. I had a really good team. They took really good intendance of me. And everyone was actually committed and the actors were all in, as you lot can tell. And then information technology was a ridiculously fun shoot. Embarrassingly fun.
Carrie: Information technology'due south amazing. I tin can't get Colin Firth and Stellan Skarsgård spooning each other on the boat out of my head.
Parker: Colin and Stellan were slightly worried virtually dancing, because they're not not bad at it. We were talking the night before shooting, and they'd rehearsed the dances on the boat. Only it simply wouldn't have looked smashing. I was like, "just hang from the rigging. Have fun. Only take fun." And they had a ball. They were laughing all the style through it and it turned into an incredibly happy mean solar day for them, which is not what they were expecting. If they're having fun then we will. That was my promise, anyway.
Read More than:
12 surprising things you probably didn't know virtually the 'Mamma Mia' movies
So AND At present: The bandage of 'Mamma Mia' 12 years afterwards
Source: https://www.insider.com/director-of-mamma-mia-2-reveals-how-meryl-streeps-character-died-2018-10
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